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U.S. Mission to India: Promoting Gender Equality through Music

Ana Isabel Paraguay
Posted April 21, 2021 from Brazil
Expires on May 27, 2021
U.S. Department of State banner
U.S. Department of State banner

The U.S. Department of State and U.S. Mission to India is inviting applications for Promoting Gender Equality through Music.

Project Audiences:
a) The primary audience is composed of USG alumni and non-alumni from across India, both male and female, from diverse religious, social, and economic backgrounds, between the ages of 18 to 35 who believe in promoting social change.
b) The secondary beneficiaries are urban youth, including minority and LGBTQ+ communities, from Tier I and Tier II cities who are interested in music and positive social change, and want to see how music can address issues such as gender inequality.

Objectives:
> To have the 15 musicians collectively create three original music compositions to promote gender equality;
> To hold three teaching concerts to promote gender equality;
> To increase awareness of Mission India support for the principle of gender equality.

Utilize This Offer

Music is an integral part of Indian culture and life, and directly connects people. Music can be leveraged as a powerful means to address social issues such as gender inequality, as music transcends physical, social, cultural, economic, and political barriers, and brings together people from diverse social classes, castes, genders, and religions. Through music, established Indian musicians who are influencers can spread the message to Indian youth in a compelling way of the importance of gender equality.

The following organizations are eligible to apply:
1. Not-for-profit organizations;
2. Civil society / non-governmental organizations;
3. Think tanks;
4. Public and private educational institutions;
5. Public International Organizations;
6. Governmental institutions.

Organizations may sub-contract with other entities, but only one, non-profit, non-governmental entity can be the prime recipient of the award.

When sub-contracting with other entities, the responsibilities of each entity must be clearly defined in the proposal.

The grantee should plan for the possibilities of both in-person and virtual music residency and performances due to the COVID-19 situation. Two budget submissions, one for in-person engagement and one for a virtual / hybrid model, may be submitted with the application.

Estimated Award Ceiling (Maximum): USD 90,000.
Estimated Award Floor (Minimum): USD 60,000.

Length of Project Period: Not to exceed 12 months.

For more information, please visit https://www.grants.gov/web/grants/view-opportunity.html?oppId=332615

Comments 2

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Ana Isabel Paraguay
Apr 21
Apr 21

Friendly reminders:
1. Study similar calls (open and closed ones) that interest you, in order to discover what they have in common and how you can think ahead/plan to apply = increase your chances of success!
2. Prepare/update paperwork (certificates and attests usually required by calls such this one);
3. Write - baby steps... - and discuss a project draft, to validate within your group the priorities of the proposal(s) and to train your grant writing skills as well;
4. Do not wait to find a call and then start writing your proposal / project. Start now!!!
5. Do visit regularly the World Pulse website to make customized searches for grant opportunities. How?
a) Click on the Menu (left upper corner);
b) Type the name of your country in the search area (blank space); click enter;
c) Click on Filters;
d) Click on Resource;
e) Browse the results (opportunities) that will show up, by chronological order of posting;
6. Spread the word about your failures and achievements in grant requests. Yes, tell these stories too... They will enlighten and inspire your network;
7. Share the opportunities that do not apply to you but can interest others;
8. Instead of copying this posting in order to share it, please forward the link of this page. Hence more people will get to know World Pulse, this website and/or its Resources section!
Best,
Ana Isabel

Jill Langhus
Apr 23
Apr 23

Thanks, Ana.